Moreover, when Drake - a biracial Candian named Aubrey who played a wheelchair kid on DeGrassi - swears, I die a little inside. Whether it be saying he wants to get married to Nicki Minaj “just to say did it” and because “her verses turn on” or uttering facepalm-inducing lines like “Your girl hot like ice” and ridiculous name drops like “Wu Tang n*gg*s, we tryna get that cream”, listening to Thank Me Later can be quite uncomfortable at times. However, Drake’s ballads are cheesy and too bland to be appreciated, and his braggadocio comes in the form of wince-worthy punchlines and atrocious awkwardness. He brags about himself and his luxurious lifestyle, discusses the pros and cons of being rich and famous, and narrates some of his various courtships of, and experiences with, beautiful women. Alicia Keys poorly sings a tacky chorus, The-Dream pathetically flounders with the new concept of “decent lyricism”, Nicki Minaj isn’t anywhere near her A-game, Young Jeezy is ignorable while boasting as he isn’t even doing his hilariously bad trap raps, and Jay-Z is depressingly past his prime.ĭrake, like many other rappers, lacks variety in terms of subject matter. and Lil Wayne put in good verses on “Fancy” and “Miss Me” respectively, other guests flop. However, the problem is found within the weakness of their respective contributions. Normally, this would be trouble with so many artists of different styles appearing on one album, but due to Drake’s style of pop inclined hip-hop with R&B-tones and the fact that all features come in the form of a duet, no stylistic clashing is to be found. are handed slots, and NYC hip-hop kingpin Jay-Z also gets a feature. Other big names like Atlantan trap rappers Young Jeezy and T.I. He gives label mate Nicki Minaj a nod, and Young Money mentor Lil Wayne a spot as well. He implements Alicia Keys and The-Dream to branch out to the soul and contemporary R&B crowds, respectively. Does it live up to all the hype? All the big name guest artists? All the anticipation? A better question is, did it even deserve any of those things? The answer is a big, fat, firm ‘ NO.’Īs with most mega-hyped, major release albums, Drake uses his guest spots, largely, to generate publicity. Now, after much anticipation, he drops his debut studio album Thank Me Later. His infectious R&B-toned “Best I Ever Had” caused teenage girls to swoon, and his hit “Forever” featuring big-timers Kanye West, Eminem, and Lil Wayne infiltrated the radio off the bat. His 2008 mixtape So Far Gone made waves, and the man we now know as Drake was signed to Lil Wayne’s Young Money record label in 2009. The Canadian actor starred as an injured hoopster on teen drama DeGrassi in the early 2000’s, and made the transition from acting to music circa ‘06. Enter Aubrey Graham, Young Money artist and pop-rap-R&B hybrid.
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Mos Def once said, “Rap went from sellin’ crack, to smokin’ it.” But with a new decade upon us, perhaps rap is beginning to avoid crack all together.
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